The poetics of the absence of reference...the explosion of language

When language loses its meaning, is what is written poetry? Is it possible to disable the meaning of poetry? For the language to be like this, without referring to something that was desired by distinguished poets, supported by intelligent critics, and in which many opinions were recorded, deriving their intellectual background from writings belonging to major, respected thinkers.
This book is a cultural tourism in search of "exploding the language," which is an Arabic term that refers to this procedure, briefly tracing the journey of separating the signifier from the signified through the absence of the reference. It was necessary to find out the meaning of the reference in the linguistic writings that are concerned with the study of semantics. These writings are surprisingly rich and enriching, provide very intelligent reflections, and open up areas of research to endless horizons of contemplation and deduction. This made the researcher forced to be satisfied with general references, without delving into the meaning of the reference. In very interesting details at this point, the fear of prolongation.
The study attempted to give the reader a significant overview of the historical context of the emergence of this idea, which has Arab heritage implications that we did not invest well in, and the poetic dreams that resulted from this attempt in European heritage presented by poets who aspire to bring poetry to the point of "purity" and devoid of "reference." The poem turns into a language that speaks for itself, and this is the literary nature of literature. The more the language succeeds in making its reference internal, the more successful it is in the critics' perspective.