Badr (poetry)

A remarkable collection of poetry that establishes a creative interaction with the poet's environment and with his current moment through poems of great intensity and astonishment, relying on the sense of paradox that is formed through dialogues that make the vision not go in one direction, and these dialogues are mostly with the self, which makes it swim in an atmosphere of whispering. The deep.
These poems fall in the in-between area between different literary genres, especially the art of poetry and the art of the very short story, and thus these poems often break away from metaphor-based poetry to interact with narrative-based poetry. In these poems, interaction with heritage appears in a fugitive manner that does not represent a specific weight on the poems. Rather, heritage appears as fertile cultural ashes scattered in them, and philosophical thought appears in a striking artistic form that makes it vibrant.
Sight registers a qualitative presence in this collection, as it is a collection that relies primarily on what the poetic self sees, and not on what he hears of previous poetic creativity. It establishes a special artistic vision that depends on what he sees, not what his predecessors produced.
These poems tried to break away from all the aesthetic features of the previous poem, to form their own aesthetics.