Voice in poetry.

This is a study that deals with sonic loads in modern Arabic poetry, as it deals with selected examples of it, tracing the sonic phenomenon in these models. The sound in the poem is considered a current, and this stream carries during its course the sonic loads of other people's utterances. These loads have a great contribution to expanding its course and deepening it. It also contributes equally to its extension, hence the importance of stopping at the process of sounds in the text.
This study monitored the phonetic loads in modern Arabic poetry, by examining four selected examples that reveal the features of the phonetic loads in them. What the voice in the poem may be: the poem may be phonetically central, or it may have many sounds, but they are arranged on top of each other, which makes it, despite its phonetic pluralism, close to phonetic centrality. The text may be divided into two large, conflicting streams, and each stream has its own phonetic loads. The sounds in the poem may be of clear diversity, and this entails formal diversity.