Reception of poetry

There are many similarities between critical awareness and creative awareness, as well as many differences. They are both vital, organic products of great richness, complexity, and density. The creative text is a creation, and the critical text is also a creation, which confirms that both are governed by the other's language, imagination, and outlook at the same time that they are independent of each other's vision, goal, and function. Hence, it was difficult to talk about words, as Abu Hayyan al-Tawhidi said in the past. The author tried to monitor multiple forms of response and difference between poetry and the methods of receiving it in poetry. This book opened the critical door wide to rediscover the aesthetic, cognitive, and cultural values ​​inherent in our ancient and contemporary poetic heritage alike. It also opened the critical door wide to create new critical cognitive mechanisms to receive our poetic heritage through new cognitive and methodological perspectives, which formed multiple and disparate cognitive and aesthetic critical horizons. It was able to enrich the poetic text on the one hand, the critical text on the other hand, and the Arab cultural mind on the last hand, and give them all an aesthetic and intellectual life. Renewed through creative transformations.