Photography among the Arabs

The author's approach in this book is a method that contradicts what art and archaeologists follow in the present era. For him, photography is not inscriptions and drawings on walls, in books, and on boards. Rather, we see him presenting in his book - above all that - decorative drawings of humans and animals wherever they may be... It is known that photography in the Islamic era was most flourishing among the Iranian, Indian and Turkish peoples, and the Arabs only gained a share of it. limited; But in his book, the author stopped at "those who speak the opposite" to "refute those who say that the Arabs are deficient in this wonderful art."
It goes without saying that the author was an authority on language and literature, well-versed in books on history and countries, keen-eyed, and keen-eyed.